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Exhibit at our Museum


Inviting Fortune: Auspicious Symbols in Japanese Art

January 4,2025 ~ March 2,2025
The Museum of the Imperial Collections, Sannomaru Shozokan

The New Year marks the beginning of a new chapter in life. Throughout history, people have sought to invite good fortune at this time by incorporating auspicious symbols into their celebrations. One example rooted in Chinese traditions is Mount Penglai, the island of the immortals. In Japan, miniature versions with cranes and turtles were crafted to invoke longevity. Mount Penglai’s associations with paradise were eventually transposed to Japan’s own Mount Fuji, a peak historically venerated as a sacred mountain.

The phoenix is another popular motif that originated in China, where it was revered as a legendary bird heralding the arrival of a great sovereign. In Japan, the phoenix was frequently incorporated into paintings and decorative arts as a symbol of nobility, particularly works associated with the Imperial Household. Other mythical beasts, like the majestic qilin and Chinese lion, came to embody wishes for peace and harmony.

This exhibition explores the rich world of auspicious symbols in Japanese art, inviting visitors to embark on a journey through a collection of works brimming with hope for a bright future.

Outline

Exhibition Dates
Saturday, January 4–Sunday, March 2, 2025  
Hours
9:30 a.m.–5:00 p.m.  
(Last admission 4:30 p.m.)
*On January 7, the Museum opens at 1:00 pm.

Extended hours: On Fridays and Saturdays, the Museum opens until 8:00 p.m. (last admission 7:30 p.m.) except Fridays, January 31 & February 28.
Closed
Mondays, February 23 (The Emperor's Birthday).
Exceptionally open on Mondays: January 13 & February 24 and closes the following Tuesdays (January 14 & February 25) instead.  
(When a national holiday falls on a Monday, the museum will be closed the following Tuesday instead.)
 
Subject to change.  
Venue
The Museum of the Imperial Collections, Sannomaru Shozokan  
1-8 Chiyoda, Chiyoda-ku, Tokyo, 100-0001 (within the Imperial Palace East Gardens)
General Admission
Adults: 1,000   
students: 500

*Free admission for high school students, visitors under 18, and visitors aged 70 years or more. Please show valid ID or other documentation.
*Visitors with disabilities (along with the one assistant) will be admitted for free without a booking.
Number of objects in the exhibition
46 works (All housed in The Museum of the Imperial Collections, Sannomaru Shozokan.)
Organizer
The Museum of the Imperial Collections, Sannomaru Shozokan
ホームページ
https://pr-shozokan.nich.go.jp/2024inviting-fortune/index_en.html

Major works in this Exhibition

“White Phoenix on an Old Pine Tree” from Colorful Realm of Living Beings Ito Jakuchu. Edo period, circa 1766. National Treasure

“White Phoenix on an Old Pine Tree” from Colorful Realm of Living Beings

Ito Jakuchu

Edo period, circa 1766. National Treasure

(On view: February 4–March 2)

Volume 1 of Illustrated Tale of Mount Penglai

Volume 1 of Illustrated Tale of Mount Penglai (detail)

Edo period, 17th–18th century

(On view: February 4–March 2)

Land of the Rising Sun, Japan
Yokoyama Taikan.

Land of the Rising Sun, Japan

Yokoyama Taikan

Showa era, 1940

(On view: January 4–March 2)

Phoenixes Yuki Somei.

Phoenixes

Yuki Somei

Taisho era, 1925

(On view: January 4–February 2)

Phoenixes and Rising Sun Ito Jakuchu

Phoenixes and Rising Sun

Ito Jakuchu

Edo period, 1755

(On view: January 4–February 2)

Pair of Cranes Tsukada Shukyo, Kurokawa Yoshikatsu

Pair of Cranes

Tsukada Shukyo, Kurokawa Yoshikatsu

Taisho era, 1915

(On view: January 4–March 2)

《宝船「長崎丸」》

Treasure Ship "Nagasaki-maru"

Ezaki Eizo

Taisho era, 1916

(On view: January 4–March 2)

Phoenix Unno Yoshimori II

Phoenix

Unno Yoshimori II

Taisho era, 1916

(On view: January 4–March 2)

Incense Burner Shaped Like a Mythical Beast (Qilin)

Incense Burner Shaped Like a Mythical Beast (Qilin)

Edo period, 19th century

(On view: January 4–March 2)

Pair of Chinese Lions Numata Ichiga

Pair of Chinese Lions

Numata Ichiga

Showa era, 1928

(On view: January 4–March 2)

List of works