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Court Calligraphy: Celebrated Manuscripts by Legendary Calligraphers|Imperial Patronage of the Arts: Modern Japanese Painting, Sculpture & Decorative Arts

October 29,2024 ~ December 22,2024
The Museum of the Imperial Collections, Sannomaru Shozokan

Court Calligraphy: Celebrated Manuscripts by Legendary Calligraphers

The Heian period (794–1185) is considered a golden age in the history of Japan’s imperial court. The tastes and pursuits of the highest-ranking courtiers at the time laid the foundations for centuries of court culture that followed, with special emphasis given to the interests of the Imperial Family and the Fujiwara regent line. These elite nobles were well versed in Chinese and Japanese classics and viewed exceptional calligraphy as a mark of refinement.

Court calligraphy can broadly be divided into purely aesthetic works and everyday bureaucratic texts, such as letters, documents, and missives. In this exhibition, decorative masterworks are displayed alongside examples of more practical court documents to allow visitors to compare these contrasting styles.


Imperial Patronage of the Arts: Modern Japanese Painting, Sculpture & Decorative Arts

While having played a key role in protecting Japan’s cultural heritage, the Imperial Household was also instrumental in supporting artists in the nineteenth and twentieth centuries. Imperial visits to art exhibitions helped attract public interest and the Imperial Family was also known to purchase works through the Imperial Household Ministry, further invigorating the art world.

This exhibition presents works the Imperial Family acquired at art exhibitions held from the late nineteenth to mid-twentieth century. They include many autumn-theme paintings, sculptures, and decorative art. The Museum is excited to present these pieces from a lesser-known chapter in Japanese modern art history and tell the extraordinary story of the Imperial Household’s behind-the-scenes support.

Outline

Exhibition Dates
Tuesday, October 29–Sunday, December 22, 2024  
First Rotation: October 29–November 24
Second Rotation: November 26–December 22
Hours
9:30 a.m.–5:00 p.m.  
(Last admission 4:30 p.m.)
*On October 29, the Museum opens at 1:00 p.m.

Extended hours: On Fridays and Saturdays, the Museum opens until 8:00 p.m. (last admission 7:30 p.m.), except Friday, November 29.
Closed
Mondays.  
*However, the Museum opens on Mon. November 4 and closes Tue. November 5 instead.
 
*Subject to change.
Venue
Gallery 1: Imperial Patronage of the Arts
Gallery 2: Court Calligraphy
The Museum of the Imperial Collections, Sannomaru Shozokan
 
1-8 Chiyoda, Chiyoda-ku, Tokyo, 100-0001 (within the Imperial Palace East Gardens)
General Admission
Adults: 1,000   
students: 500

*Free admission for high school students, visitors under 18, and visitors aged 70 years or more.
*Visitors with disabilities, along with the one assistant, will be admitted for free without a booking. Please show valid ID or documentation.
Please show valid ID or documentation.
Number of objects in the exhibition
Court Calligraphy : 13 works
Imperial Patronage of the Arts : 25 works
(All housed in The Museum of the Imperial Collections, Sannomaru Shozokan.)
Organizer
The Museum of the Imperial Collections, Sannomaru Shozokan
ホームページ
https://pr-shozokan.nich.go.jp/2024calligraphy-arts/index_en.html

Major works in this Exhibition

Volume 4 of Collection of Myriad Leaves (Kanazawa Version) Fujiwara no Sadanobu. Heian period (12th century). National Treasure

Volume 4 of Collection of Myriad Leaves (Kanazawa Version)

Fujiwara no Sadanobu

Heian period (12th century). National Treasure

(First Rotation: volume 2 / Second Rotation: volume 4. Pages on view of each volume also to change halfway.)

Volume 17 of Illustrated Miracles of the Kasuga Deity (detail) Painting: Takashina Takakane; calligraphy: Ichijoin Ryoshin. Kamakura period, ca. 1309

Volume 17 of Illustrated Miracles of the Kasuga Deity (detail)

Painting: Takashina Takakane; calligraphy: Ichijoin Ryoshin

Kamakura period, ca. 1309. National Treasure

(On view: October 29–November 24. Sections on view to change halfway.)

Part of

Part of "Collection of Poems by Fukayabu" (One of the "Private Anthologies of Famous Poets")

Attributed to Ki no Tsurayuki

Heian period, 11th century

(On view: October 29–November 24)

Draft of a Letter. Fujiwara no Sadaie. Kamakura period, 13th century

Draft of a Letter

Fujiwara no Sadaie

Kamakura period, 13th century

(On view: October 29–November 24)

Classic of Filial Piety with Annotations. Sanjonishi Sanetaka. Muromachi period, 1531

Classic of Filial Piety with Annotations

Sanjonishi Sanetaka

Muromachi period, 1531

(On view: November 26–December 22. Sections on view to change halfway.)

Vase with Crows, Sparrows, and Rice Plants (one of a pair) Namikawa Sosuke; painting by Izumi Baiitsu. Meiji era, 1881

Vase with Crows, Sparrows, and Rice Plants (one of a pair)

Namikawa Sosuke; painting by Izumi Baiitsu

Meiji era, 1881

(On view throughout the exhibition period)

Peacocks. Araki Kanpo. Meiji era, 1890

Peacocks

Araki Kanpo

Meiji era, 1890

(On view: November 26–December 22)

Court Lady. Asahi Gyokuzan. Meiji era, 1901

Court Lady

Asahi Gyokuzan

Meiji era, 1901

(On view: October 29–November 24)

Tree-Lined Avenue. Ota Kijiro. Taisho era, 1914

Tree-Lined Avenue

Ota Kijiro

Taisho era, 1914

(On view throughout the exhibition period)

Autumn Valley. Ikegami Shuho. Taisho era, 1915

Autumn Valley

Ikegami Shuho

Taisho era, 1915

(On view: October 29–November 24)