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Man'yoshu, Kanazawa Version
- Heian period, 12th century
- ink on decorated paper
- volume
Calligraphy – Japanese Calligraphy
National Treasure
The name comes from its former owner, the Maeda family who was the feudal lord of Kanazawa. Most of volume 2 and a part of volume 4 are bound together. The paper is considered to be karagami (Chinese paper ) made in Japan, and the writing is robust and ever changing in style, which is considered to be by Fujiwara no Sadanobu (1088-?) judging by his other existing examples. (「New Edition Grace, Beauty and Inqenuity-Masterpices of the Museum of Imperial Collections, Sannomaru Shozokan Vol.1」2003)
Details
Title/Name | Man'yoshu, Kanazawa Version |
---|---|
Other Title/ Name |
|
Artist/ Creator |
Fujiwara no Sadanobu |
Period/Era | Heian period |
Century | 12c. |
Quantity | volume |
Dimensions | |
Material/ Technique |
ink on paper |
Signature/ Inscriptions |
|
Accessories/ Contents |
|
Country/ Origin |
|
Excavation Site |
|
Related Place |
Kyoto Ishikawa |
Provenance | |
Collection No. |
SZK003029 |
Category | Calligraphy – Japanese Calligraphy |
Cultural Property Designation |
National Treasure |
Notes | |
Keyword | |
Category for Searching |
|
Permalink |
https://shozokan.nich.go.jp/en/collection/object/SZK003029
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Last Updated |
2025/01/08 |
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Man'yoshu, Kanazawa Version
Man'yoshu, Kanazawa Version
The name comes from its former owner, the Maeda family who was the feudal lord of Kanazawa. Most of volume 2 and a part of volume 4 are bound together. The paper is considered to be karagami (Chinese paper ) made in Japan, and the writing is robust and ever changing in style, which is considered to be by Fujiwara no Sadanobu (1088-?) judging by his other existing examples. (「New Edition Grace, Beauty and Inqenuity-Masterpices of the Museum of Imperial Collections, Sannomaru Shozokan Vol.1」2003)