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Autumn Mountain at Evening
- Meiji period, Dated 1882
- color on silk
- hanging scroll
Paintings – Japanese / Asian Paintings
Tazaki, learning the sketch painting style of various schools such as the Shijo School or united Schools of Nanshu and Hokushu, was not satisfied with stereotyped landscape expression of the Nanshu painting, and groped the possibilities of unique landscape depiction from an early stage. Also in this work, he attempted novel composition in which the foreground and middle distance as a main part of the picture with widely arranged trees of colored leaves and haze around them. It is one of the important works of the early Meiji era which shows the possibility of Nanshu style landscapes based on a modern consciousness toward sketching. （「New Edition Grace, Beauty and Inqenuity-Masterpices of the Museum of Imperial Collections, Sannomaru Shozokan Vol.1」2003）
Details
| Title/Name | Autumn Mountain at Evening |
|---|---|
| Other Title/ Name |
|
| Artist/ Creator |
Tazaki Soun |
| Period/Era | Meiji period |
| Century | |
| Quantity | hanging scroll |
| Dimensions | |
| Material/ Technique |
color on silk |
| Signature/ Inscriptions |
|
| Accessories/ Contents |
|
| Country/ Origin |
|
| Excavation Site |
|
| Related Place |
Tochigi |
| Provenance | |
| Collection No. |
SZK002989 |
| Category | Paintings – Japanese / Asian Paintings |
| Cultural Property Designation |
|
| Notes | |
| Keyword | |
| Category for Searching |
|
| Permalink |
https://shozokan.nich.go.jp/en/collection/object/SZK002989
|
| Last Updated |
2022/12/23 |
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Autumn Mountain at Evening
Autumn Mountain at Evening
Tazaki, learning the sketch painting style of various schools such as the Shijo School or united Schools of Nanshu and Hokushu, was not satisfied with stereotyped landscape expression of the Nanshu painting, and groped the possibilities of unique landscape depiction from an early stage. Also in this work, he attempted novel composition in which the foreground and middle distance as a main part of the picture with widely arranged trees of colored leaves and haze around them. It is one of the important works of the early Meiji era which shows the possibility of Nanshu style landscapes based on a modern consciousness toward sketching. （「New Edition Grace, Beauty and Inqenuity-Masterpices of the Museum of Imperial Collections, Sannomaru Shozokan Vol.1」2003）